The first credential I ever received felt fake.
I kept expecting someone to stop me, point at the laminate hanging around my neck, and tell me there had been a mistake.

The First Time I Walked Past Security
The first credential I ever received felt fake.
I must have checked it twenty times before I arrived at the venue. On the drive there, I kept pulling it out of my pocket and looking at it again, convinced I had misunderstood something. Surely there had been a mistake. Surely someone else was supposed to have it.
At that point, photography still felt like something I was trying rather than something I did.
I wasn't thinking about careers. I wasn't thinking about portfolios. I wasn't thinking about clients.
I was thinking about getting through security.
The assignment was to photograph DJ Must Die.
I remember arriving early and watching people line up outside the venue. Fans gathered behind barricades, excited for a show they had been waiting weeks or months to see. Not long before, I would have been standing beside them.
Instead, I walked toward a different entrance.
A security guard glanced at the credential hanging from my neck and waved me through.
That was it.
No speech. No ceremony. No dramatic moment.
Just a door opening.
Yet I still remember exactly how it felt.
The world on the other side looked different than I expected. Not glamorous. Not mysterious. Just busy. Crew members moving equipment. Staff members solving problems. Artists preparing for a performance that would last a few hours but require an entire day of work from dozens of people.
The closer I got to the stage, the more fascinated I became.
I had spent years looking at performers from the audience. Suddenly I was standing a few feet away, watching the same event unfold from an entirely different perspective.
That shift changed something in me.
Photography stopped feeling like a hobby and started feeling like a passport.
Not because it granted access to famous people.
Because it granted access to worlds.
Every assignment after that would lead somewhere new. Concerts. Fashion shoots. Campaigns. Editorial projects. Rooms I never would have entered otherwise.
The camera became an excuse to ask questions.
To observe.
To pay attention.
To be curious.
Looking back, the photographs from that night probably matter less than the experience itself.
What I remember most isn't a particular frame.
It's the feeling of walking through a doorway that had previously seemed closed.
For the first time, I realized photography could take me places I never expected to go.
More importantly, it could introduce me to people I never would have met otherwise.
I've been chasing that feeling ever since.


